"Wachet auf, ruft uns die Stimme, BWV 645 ('Sleepers, awake') - Arr. Sir Granville Bantock (1868-1946): Sleepers Awake" by Johann Sebastian Bach, The New Symphony Orchestra Of London, Raymond Agoult was released on April 2, 2021. The duration of Wachet auf, ruft uns die Stimme, BWV 645 ('Sleepers, awake') - Arr. Sir Granville Bantock (1868-1946): Sleepers Awake is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Wachet auf, ruft uns die Stimme, BWV 645 ('Sleepers, awake') - Arr. Sir Granville Bantock (1868-1946): Sleepers Awake's duration is considered a little bit shorter than the average duration of a typical track. The song is number 42 out of 57 in Easter Classical by Johann Sebastian Bach, Wolfgang Amadeus Mozart, George Frideric Handel. Wachet auf, ruft uns die Stimme, BWV 645 ('Sleepers, awake') - Arr. Sir Granville Bantock (1868-1946): Sleepers Awake is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wachet auf, ruft uns die Stimme, BWV 645 ('Sleepers, awake') - Arr. Sir Granville Bantock (1868-1946): Sleepers Awake by Johann Sebastian Bach, The New Symphony Orchestra Of London, Raymond Agoult is Lento (slowly), since this song has a tempo of 57 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 78 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 2. Evangelista, Jesus "Da Jesus diese Rede vollendet hatte" | Johann Sebastian Bach, Collegium Vocale Gent, Ian Bostridge, Franz-Joseph Selig, Philippe Herreweghe | B♭ Minor | 0 | 3A | 78 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM |
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