On May 20, 2019, the song "25 Progressive Pieces for Piano in D Minor, Op. 100: No. 20, Tarantella. Allegro" was released by Johan Friedich Franz Burgmüller, Pablo F Bello. The duration of 25 Progressive Pieces for Piano in D Minor, Op. 100: No. 20, Tarantella. Allegro is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. 25 Progressive Pieces for Piano in D Minor, Op. 100: No. 20, Tarantella. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 25 in Franz Burgmüller, Progressive Pieces for Piano by Johan Friedich Franz Burgmüller, Pablo F Bello. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. 25 Progressive Pieces for Piano in D Minor, Op. 100: No. 20, Tarantella. Allegro is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 25 Progressive Pieces for Piano in D Minor, Op. 100: No. 20, Tarantella. Allegro by Johan Friedich Franz Burgmüller, Pablo F Bello is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 84 BPM | ||
25の練習曲作品100 第7曲 清い小川 | Franz Burgmüller, Rintaro Akamatsu | C Minor | 0 | 5A | 78 BPM | ||
Lullaby from Ballet Suite No. 3 | Dmitri Shostakovich, Polina Osetinskaya | A♭ Major | 0 | 4B | 89 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
25 Études faciles et progressives, Op. 100: No. 15, Ballade | Franz Burgmüller, Carl Petersson | B♭ Major | 2 | 6B | 150 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
A:6 Velocity | Friedrich Burgmüller, J. F. F. Burgm_ller, Yulia Chaplina | A Minor | 1 | 8A | 162 BPM | ||
Nocturne in D-Flat Major, Op. 8 | Sergei Lyapunov, Elena Gaponenko | D♭ Major | 1 | 3B | 58 BPM |
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