"María Teresa" by Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel, Pedro Eustache was released on January 1, 2014. Since María Teresa is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "The Liberator / Libertador (Original Motion Picture Soundtrack)". In this album, this song's track order is #4. María Teresa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With María Teresa by Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel, Pedro Eustache having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Estancia / Danzas del Ballet: II. Danza del trigo - Live At Centro de Acción Social por la Música, Sala Simón Bolivar, Caracas / 2008 | Alberto Ginastera, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel | C Major | 0 | 8B | 170 BPM | ||
Concerto for Orchestra, Sz. 116: 1. Introduzione (Andante non troppo - Allegro vivace) - Live From Walt Disney Concert Hall, Los Angeles / 2007 | Béla Bartók, Los Angeles Philharmonic, Gustavo Dudamel | D♭ Major | 0 | 3B | 120 BPM | ||
Roman Carnival Overture, Op. 9, H. 95 | Hector Berlioz, Charles Münch | A Major | 3 | 11B | 90 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Must the Devil Have All the Good Tunes?: I. Gritty, Funky, But in strict Tempo; Twitchy, Bot-Like | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | G Minor | 4 | 6A | 147 BPM | ||
Carmen Fantasy, Op. 25: IV. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Major | 1 | 11B | 103 BPM | ||
Ballade in A Minor, Op. 33: I. Allegro energico, ma non troppo presto | Samuel Coleridge-Taylor, Chineke! Orchestra, Kalena Bovell | F♯ Minor | 0 | 11A | 78 BPM |
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