Wolfgang Amadeus Mozart, Siegfried Jerusalem, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra's 'Die Zauberflöte, K.620, Act II: Der, welcher wandert diese Straße (Zwei Geharnischten, Tamino, Pamina)' came out on 1981. With this song being about 5 minutes long, at 5:08, "Die Zauberflöte, K.620, Act II: Der, welcher wandert diese Straße (Zwei Geharnischten, Tamino, Pamina)" by Wolfgang Amadeus Mozart, Siegfried Jerusalem, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Bernard Haitink, Bavarian Radio Symphony Orchestra's "Mozart - Die Zauberflöte" album is number 2 out of 59. On top of that, United Kingdom appears to be the country where this track was created. Die Zauberflöte, K.620, Act II: Der, welcher wandert diese Straße (Zwei Geharnischten, Tamino, Pamina) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zauberflöte, K.620, Act II: Der, welcher wandert diese Straße (Zwei Geharnischten, Tamino, Pamina) by Wolfgang Amadeus Mozart, Siegfried Jerusalem, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Credo in unum Deum | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 3 | 10B | 121 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 5. Benedictus | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 1 | 8B | 91 BPM | ||
The Magic Flute, Act II: Now I know that love can vanish | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Rebecca Evans, Simon Keenlyside | E♭ Major | 2 | 5B | 131 BPM | ||
Requiem in D minor, K.626: 1. Introitus: Requiem | Wolfgang Amadeus Mozart, Barbara Bonney, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Minor | 1 | 7A | 90 BPM | ||
Mathis Der Maler, 6th Tableau, Scene 1: Der liebste Vater, eer verstand mich (Regina/Mathis) | Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | G Minor | 0 | 6A | 87 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 1: Duettino - Cinque, Dieci... | Donato Di Stefano, Jozsef Mukk, Maria Pia Ionata, Natale de Carolis, Ingrid Kertesi, Roberto Frontali, Patrizia Pace, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | D Major | 1 | 10B | 114 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Aria - Aprite Un Po' Quegl'occhi | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Roberto Frontali, Ingrid Kertesi, Hungarian State Opera Orchestra, Maria Pia Ionata, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | E♭ Major | 3 | 5B | 131 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Sir Roger Norrington, Andreas Schmidt, Nancy Argenta, London Classical Players | D♭ Major | 1 | 3B | 178 BPM | ||
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Hier seid ihr beide euch allein überlassen (dialogue: Zwei Priester, Papageno, Tamino, Papagena) | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | F Minor | 3 | 4A | 82 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe": Cum sancto spiritu | Wolfgang Amadeus Mozart, Camilla Tilling, Sarah Connolly, Timothy Robinson, Neal Davies, Gabrieli, Paul McCreesh | C Major | 4 | 8B | 107 BPM |
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