"Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 5. Benedictus" by Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner was released on November 11, 1987. With this song being about 5 minutes long, at 5:22, "Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 5. Benedictus" by Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, Anthony Robson, Lisa Beznosiuk, Alastair Mitchell, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "Mozart: Great Mass in C minor" album is number 13 out of 13. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 5. Benedictus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 5. Benedictus by Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Comte Ory / Act 1: "O bon ermite"... C'est bien, je suis content" | Gioachino Rossini, Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Choeur De l'Opéra National De Lyon, Orchestre de l'Opéra de Lyon, John Eliot Gardiner | E♭ Major | 1 | 5B | 132 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 11: Finale - ... Pace, Pace, Mio Dolce Tesoro! | Donato Di Stefano, Jozsef Mukk, Patrizia Pace, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Ingrid Kertesi, Maria Pia Ionata, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | B♭ Major | 1 | 6B | 96 BPM | ||
Au bord de l'eau, Op. 8, No. 1 | Gabriel Fauré, Sylvia McNair, Roger Vignoles | E♭ Major | 0 | 5B | 141 BPM | ||
Die Schöpfung, Hob. XXI:2 / Dritter Teil: No. 28 Duett mit Chor: "Von deiner Güt', o Herr und Gott"/ Gesegnet sei des Herren Macht (Eva, Adam) | Franz Joseph Haydn, Donna Brown, Rod Gilfry, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | B♭ Major | 3 | 6B | 118 BPM | ||
Semele, HWV 58 / Act 2: There From Mortal Cares Retiring | George Frideric Handel, Sylvia McNair, English Chamber Orchestra, John Nelson | F♯ Major | 0 | 2B | 126 BPM | ||
L'incoronazione di Poppea, SV 308 / Act I: Son risoluto insomma | Claudio Monteverdi, Dana Hanchard, Francesco Ellero D'Artegna, English Baroque Soloists, John Eliot Gardiner | C Major | 1 | 8B | 54 BPM | ||
Die Schöpfung, Hob. XXI:2 / Zweiter Teil: No. 22 Arie: "Nun scheint in vollem Glanze der Himmel" (Raphael) | Franz Joseph Haydn, Gerald Finley, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 3 | 6B | 118 BPM | ||
Mass in B Minor, BWV 232: Osanna (Chorus) | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 4 | 3B | 193 BPM | ||
The Fairy Queen, Z.629 / Act 4: Hark! Hark! the Echoing Air | Henry Purcell, Sylvia McNair, Crispian Steele-Perkins, Paul O'Dette, Laurence Dreyfus, Academy of Ancient Music, Christopher Hogwood | B Major | 2 | 1B | 108 BPM | ||
Die Zauberflöte - Singspiel in two acts, K. 620, Act II: O Isis und Osiris (Sarastro, Chor) - 1987 Digital Remaster | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | F Major | 1 | 7B | 92 BPM |
Section: 0.6160132884979248
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