Handel, Honor Sheppard, Max Worthley, Oriana Concert Choir, Maurice Bevan, Oriana Concert Orchestra, Alfred Deller made "Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Overture" available on February 19, 2013. Since Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 20 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Overture is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Overture by Handel, Honor Sheppard, Max Worthley, Oriana Concert Choir, Maurice Bevan, Oriana Concert Orchestra, Alfred Deller is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart - Serenade K361 "Gran Partita" for 13 wind instruments: Adagio | Wolfgang Amadeus Mozart, London Winds, Michael Collins | G Major | 1 | 9B | 135 BPM | ||
Suite for Strings: IV. Presto | Leoš Janáček, Czech Chamber Soloists | G Major | 1 | 9B | 84 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | ||
Antonio Vivaldi: Concerto For 2 Violins In A Minor, Op. 3 No. 8- Allegro (Mouvement 3) | Tafelmusik Baroque Orchestra | A♭ Minor | 2 | 1A | 141 BPM | ||
Suite No. 2 in B minor, BWV 1067: 7. Badinerie | Johann Sebastian Bach, Berliner Philharmoniker, Herbert von Karajan | C Minor | 2 | 5A | 103 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Der Fischer und das Milchmädchen: XIII. Molto moderato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
L'italiana in Londra: Overture: III. Presto | Domenico Cimarosa, Toronto Chamber Orchestra, Kevin Mallon | F Major | 2 | 7B | 87 BPM | ||
Partie 2 en ut mineur: Gigue | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Minor | 3 | 10A | 194 BPM | ||
Lady Radnor's Suite: V. Slow Minuet | Hubert Parry, Capella Istropolitana, Adrian Leaper | D Major | 1 | 10B | 120 BPM |
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