Joe Darion, Mitch Leigh, Joan Diener, Ray Middleton, Irving Jacobson, Richard Kiley made "The Dubbing (Knight Of The Woeful Countenance) - Man Of La Mancha/1965 Original Broadway Cast/Remastered 2000" available on January 1, 2001. The duration of The Dubbing (Knight Of The Woeful Countenance) - Man Of La Mancha/1965 Original Broadway Cast/Remastered 2000 is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. The Dubbing (Knight Of The Woeful Countenance) - Man Of La Mancha/1965 Original Broadway Cast/Remastered 2000's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mitch Leigh, Joe Darion, Various Artists's "Man Of La Mancha" album is number 13 out of 18. Based on our statistics, The Dubbing (Knight Of The Woeful Countenance) - Man Of La Mancha/1965 Original Broadway Cast/Remastered 2000's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of The Dubbing (Knight Of The Woeful Countenance) - Man Of La Mancha/1965 Original Broadway Cast/Remastered 2000 by Joe Darion, Mitch Leigh, Joan Diener, Ray Middleton, Irving Jacobson, Richard Kiley to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An Opening For A Princess | Mary Rodgers, Joe Bova | G Minor | 3 | 6A | 168 BPM | ||
Where Is The Life That Late I Led? | Broadway Cast Recording | F Major | 4 | 7B | 76 BPM | ||
Hush, Hush! Not a Word | The Pirates Of Penzance | D Minor | 1 | 7A | 128 BPM | ||
The Affluent Society - I Had A Ball/1964 Original Broadway Cast/Remastered | Jack Lawrence, Stan Freeman, Richard Kiley, Steve Roland | A♭ Major | 7 | 4B | 136 BPM | ||
Soliloquy (From Carousel) | Gordon Macrae | A Minor | 2 | 8A | 123 BPM | ||
Come To Me, Bend To Me (from "Brigadoon") | The Original Broadway Cast Of Brigadoon | G Major | 1 | 9B | 84 BPM | ||
There Won't Be Trumpets | Lee Remick | F Major | 4 | 7B | 76 BPM | ||
I've Come To Wive It Wealthily In Padua | Broadway Cast Recording | B♭ Major | 5 | 6B | 109 BPM | ||
Look No Further | Richard Kiley, Diahann Carroll | B♭ Major | 0 | 6B | 87 BPM | ||
Benjamin Calypso/Joseph All The Time - Medley | Original Broadway Cast of 'Joseph and the Amazing Technicolor Dreamcoat' | F Major | 3 | 7B | 76 BPM |
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