Broadway Cast Recording made "I've Come To Wive It Wealthily In Padua" available on January 25, 2000. The duration of I've Come To Wive It Wealthily In Padua is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. I've Come To Wive It Wealthily In Padua's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Broadway Cast Recording's "Kiss Me Kate - Music By Cole Porter" album is number 7 out of 20. On top of that, United States appears to be the country where this track was created. In terms of popularity, I've Come To Wive It Wealthily In Padua is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of I've Come To Wive It Wealthily In Padua by Broadway Cast Recording to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oklahoma? | Dirty Rotten Scoundrels Original Broadway Cast | B Major | 4 | 1B | 116 BPM | ||
Free | Zero Mostel, Brian Davies | A Major | 2 | 11B | 76 BPM | ||
Roxie | Gwen Verdon | B Major | 2 | 1B | 135 BPM | ||
It's A Scandal! It's A Outrage! | Peter Polycarpou, Oklahoma! 1998 National Theatre Cast Recording Male Ensemble | A Major | 5 | 11B | 147 BPM | ||
Better with a Man | Jefferson Mays, Bryce Pinkham | G Major | 3 | 9B | 162 BPM | ||
Act One Finale | Daniel Radcliffe, Rose Hemingway, Christopher J. Hanke | G Major | 3 | 9B | 0 BPM | ||
Prologue: Ragtime | Ragtime Ensemble | F Major | 5 | 7B | 121 BPM | ||
In Old Bavaria | Brad Oscar | B♭ Major | 2 | 6B | 86 BPM | ||
Look What You've Done | Tommy Hollis, Brian Stokes Mitchell, Mark Jacoby, Mike O'Carroll, Gordon Stanley, Steven Sutcliffe, David Mucci, Judy Kaye, Ragtime Ensemble | F♯ Minor | 4 | 11A | 131 BPM | ||
The Oldest Established | Nathan Lane, Walter Bobbie, J.K. Simmons, Guys and Dolls Ensemble (1992) | G Major | 3 | 9B | 141 BPM |
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