"Sonata in A Major for Violin and Piano, FWV 8: III. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace)" by César Franck, Augustin Dumay, Maria João Pires was released on November 14, 2020. Since Sonata in A Major for Violin and Piano, FWV 8: III. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 32 in César Frank - Great Works by César Franck. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Sonata in A Major for Violin and Piano, FWV 8: III. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata in A Major for Violin and Piano, FWV 8: III. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) by César Franck, Augustin Dumay, Maria João Pires is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Major | 0 | 10B | 83 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: IV. Finale: Allegro assai appassionato | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Minor | 1 | 7A | 79 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Berceuse Op. 16 | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra, Augustin Dumay | D Major | 0 | 10B | 102 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Nocturne No. 17 in B Major, Op. 62, No. 1 | Frédéric Chopin, Maria João Pires | E♭ Major | 0 | 5B | 66 BPM | ||
24 Préludes, Op. 28: No. 15 in D-Flat Major ("Raindrop") | Frédéric Chopin, Maria João Pires | D♭ Major | 0 | 3B | 69 BPM | ||
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
Mendelssohn-Hensel: 6 Mélodies, Opp. 4 & 5: No. 4 in B Major | Fanny Mendelssohn, Sophie Pacini | D♭ Minor | 0 | 12A | 68 BPM |
Section: 0.719205379486084
End: 0.7227351665496826