Victoria de los Ángeles made "Como Naci En La Calleel Barberillo De Lavapies" available on March 3, 2003. The duration of Como Naci En La Calleel Barberillo De Lavapies is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Como Naci En La Calleel Barberillo De Lavapies's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Victoria De Los Angeles - Diva by Victoria de los Ángeles. The song's track number on the album is #16 out of 16 tracks. Based on our statistics, Como Naci En La Calleel Barberillo De Lavapies's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Como Naci En La Calleel Barberillo De Lavapies by Victoria de los Ángeles has a tempo of 152 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Como Naci En La Calleel Barberillo De Lavapies being at 152 BPM, the half-time would be 76 BPM with a double-time of 304 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinq Mélodies populaires grecques (2005 - Remaster): Tout gai! | Maurice Ravel, Victoria de los Ángeles, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 2 | 4B | 124 BPM | ||
Chanson triste | Henri Duparc, Véronique Gens, Susan Manoff | C Major | 1 | 8B | 107 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | ||
Son lo spirito che nega - from Mefistofele | Arrigo Boito, Erwin Schrott, Daniele Rustioni | C Major | 3 | 8B | 90 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
5 Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Victoria de los Ángeles, Rafael Frühbeck de Burgos, Sinfonia Of London | E♭ Major | 0 | 5B | 64 BPM | ||
L'italiana in Algeri / Act 1: "Cruda sorte! Amor tiranno!" | Gioachino Rossini, Cecilia Bartoli, Arnold Schoenberg Chor, Vienna Volksoper Orchestra, Giuseppe Patanè | A Major | 1 | 11B | 109 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Le Conseiller Lindorf, morbleu! (Lindorf/Andrès) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | F♯ Major | 0 | 2B | 97 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Massenet: Manon, Act 3: "Pardonnez-moi, Dieu de toute puissance" (Manon, Des Grieux) | Jules Massenet, Victoria de los Ángeles, Henri Legay, Pierre Monteux, Orchestre du Théâtre national de l'Opéra-Comique | C Minor | 1 | 5A | 77 BPM |
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