"Massenet: Manon, Act 3: "Pardonnez-moi, Dieu de toute puissance" (Manon, Des Grieux)" by Jules Massenet, Victoria de los Ángeles, Henri Legay, Pierre Monteux, Orchestre du Théâtre national de l'Opéra-Comique was released on April 14, 2023. With Massenet: Manon, Act 3: "Pardonnez-moi, Dieu de toute puissance" (Manon, Des Grieux) being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jules Massenet, Victoria de los Ángeles, Pierre Monteux, Orchestre du Théâtre national de l'Opéra-Comique's "Massenet: Manon" album is number 30 out of 42. On top of that, France appears to be the country where this track was created. Massenet: Manon, Act 3: "Pardonnez-moi, Dieu de toute puissance" (Manon, Des Grieux) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Massenet: Manon, Act 3: "Pardonnez-moi, Dieu de toute puissance" (Manon, Des Grieux) by Jules Massenet, Victoria de los Ángeles, Henri Legay, Pierre Monteux, Orchestre du Théâtre national de l'Opéra-Comique to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: Don Quichotte, Act 1: Sérénade. "Quand apparaissent les étoiles" (Don Quichotte, Juan, Dulcinée) | Jules Massenet, Michel Plasson, José van Dam, Nicolas Rivenq, Teresa Berganza, Orchestre Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Mélodie - Élégie | Jules Massenet, Penelope Lynex, Alexander Wells | E♭ Major | 1 | 5B | 90 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Jack Brymer, Sir Thomas Beecham, Royal Philharmonic Orchestra | C Major | 7 | 8B | 89 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Saint-Saëns: Romance pour cor et orchestre, Op. 36 (Version for Cello and Piano) | Camille Saint-Saëns, Roland Pidoux | F Major | 0 | 7B | 132 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |
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