"Lieder ohne Worte, Op.67: No. 5. Moderato In B Minor, MWV U 184 - "The Shepherd's Complaint"" by Felix Mendelssohn, Daniel Barenboim was released on January 1, 1974. The duration of Lieder ohne Worte, Op.67: No. 5. Moderato In B Minor, MWV U 184 - "The Shepherd's Complaint" is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Lieder ohne Worte, Op.67: No. 5. Moderato In B Minor, MWV U 184 - "The Shepherd's Complaint"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Daniel Barenboim's "Mendelssohn: Songs without Words" album is number 11 out of 58. Based on our statistics, Lieder ohne Worte, Op.67: No. 5. Moderato In B Minor, MWV U 184 - "The Shepherd's Complaint"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lieder ohne Worte, Op.67: No. 5. Moderato In B Minor, MWV U 184 - "The Shepherd's Complaint" by Felix Mendelssohn, Daniel Barenboim to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Estampes, L. 100: 1. Pagodes | Claude Debussy, Daniel Barenboim | B Major | 0 | 1B | 68 BPM | ||
Lieder ohne Worte, Op.102: No. 5. Allegro vivace in A, MWV U 194 - "The Joyous Peasant" | Felix Mendelssohn, Daniel Barenboim | D♭ Minor | 2 | 12A | 148 BPM | ||
Lieder ohne Worte, Op.85: No. 6. Allegretto con moto in B flat, MWV U 155 | Felix Mendelssohn, Daniel Barenboim | B♭ Major | 1 | 6B | 78 BPM | ||
Waltz No.4 In F, Op.34 No.3 | Frédéric Chopin, Daniel Barenboim | F Major | 0 | 7B | 126 BPM | ||
Piano Trio in D Minor, Op. 120: I. Allegro, ma non troppo | Gabriel Fauré, Pierre Fouchenneret, Raphaël Merlin, Simon Zaoui | G Minor | 1 | 6A | 88 BPM | ||
12 Etudes d'exécution transcendante, S.139: No.6 Vision (Lento) | Franz Liszt, Daniil Trifonov | G Major | 1 | 9B | 89 BPM | ||
Ohlas pisni (Echo of Songs), B. 152 (arr. of Cypresses, B. 11 for string quartet): I Know That on My Love | Antonín Dvořák, Vlach Quartet Prague | D♭ Major | 1 | 3B | 98 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 2: Allegretto ma un poco vivo | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | C Major | 1 | 8B | 97 BPM | ||
Symphony No. 3 in E Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | C Major | 1 | 8B | 81 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM |
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