"O dulcis electe (Responsory to St. John the Evangelist) [V fol. 161v]" by Hildegard von Bingen, Sequentia, Benjamin Bagby was released on May 10, 2013. With this song being about 5 minutes long, at 4:33, "O dulcis electe (Responsory to St. John the Evangelist) [V fol. 161v]" by Hildegard von Bingen, Sequentia, Benjamin Bagby is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hildegard von Bingen, Sequentia's "Hildegard von Bingen - Celestial Hierarchy" album is number 2 out of 10. O dulcis electe (Responsory to St. John the Evangelist) [V fol. 161v] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O dulcis electe (Responsory to St. John the Evangelist) [V fol. 161v] by Hildegard von Bingen, Sequentia, Benjamin Bagby to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O gemma, lux et speculum - Sacer pastor Barensium (Franco-Flemish Polyphony) | Guillaume Dufay, Paul Van Nevel, Huelgas Ensemble | D Minor | 1 | 7A | 75 BPM | ||
Allegri: Miserere - 08. Libera Me | The Tallis Scholars, Peter Phillips | C Minor | 0 | 5A | 66 BPM | ||
Sheppard: Media Vita - 1. Media Vita in Morte Sumus | The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 65 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | F Minor | 1 | 4A | 138 BPM | ||
Salve Regina a 5 | The Sixteen | C Minor | 1 | 5A | 80 BPM | ||
Tempo Della Glora E Della Vita. Graduale: Haec Dies | Canonici Regolari Si Sant'Antimo | F Minor | 1 | 4A | 78 BPM | ||
Terirem du XIVème siècle | Yoan Kukuzel, Orthodox Ensemble | D Major | 1 | 10B | 81 BPM | ||
Ordo Virtutum: Pt. 1, The Soul Invokes the Virtues | Hildegard von Bingen, Seraphic Fire, Patrick Dupre Quigley, Luthien Brackett, Nola Richardson | A Major | 1 | 11B | 166 BPM | ||
Viderunt omnes: ...salutare suum ante conspectum gentium revelavit... | Pérotin, Tonus Peregrinus, Antony Pitts | D♭ Major | 3 | 3B | 86 BPM |
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