"String Quartet No. 2 in A Minor, Op. 35: II. Variation 5: Andante" by Anton Arensky, Ying Quartet was released on October 4, 2011. The duration of String Quartet No. 2 in A Minor, Op. 35: II. Variation 5: Andante is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. String Quartet No. 2 in A Minor, Op. 35: II. Variation 5: Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 19 in Arensky: String Quartets Nos. 1 & 2 - Piano Quintet by Anton Arensky, Ying Quartet. Based on our statistics, String Quartet No. 2 in A Minor, Op. 35: II. Variation 5: Andante's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No. 2 in A Minor, Op. 35: II. Variation 5: Andante by Anton Arensky, Ying Quartet is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
Schumann: Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andante grazioso) [Live] | Robert Schumann, Martha Argerich, Alexandre Rabinovitch-Barakovsky, Orchestra della Svizzera Italiana | A Major | 1 | 11B | 130 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1b. Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | D♭ Major | 0 | 3B | 80 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Orpheus' Lament & Dance of the Blessed Spirits (Arr. Kempff) | Christoph Willibald Gluck, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: III. Elegia. Adagio | Anton Arensky, Munich Piano Trio, Adrian Lazar, Gerhard Zank, Hermann Lechler | F Major | 1 | 7B | 94 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM |
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