"Piano Trio No. 1 in D Minor, Op. 32: III. Elegia. Adagio" by Anton Arensky, Munich Piano Trio, Adrian Lazar, Gerhard Zank, Hermann Lechler was released on October 11, 2019. Piano Trio No. 1 in D Minor, Op. 32: III. Elegia. Adagio is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. The song is number 3 out of 8 in Arensky: Piano Trios by Anton Arensky, Munich Piano Trio, Adrian Lazar, Gerhard Zank, Hermann Lechler. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Piano Trio No. 1 in D Minor, Op. 32: III. Elegia. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Trio No. 1 in D Minor, Op. 32: III. Elegia. Adagio by Anton Arensky, Munich Piano Trio, Adrian Lazar, Gerhard Zank, Hermann Lechler is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Pièces de clavecin, Book 1, 5th Ordre: Pieces de clavecin, Book 1: 5th Ordre in A Major-minor: La Tendre Fanchon (arr. I. Friedman for piano) | Ignaz Friedman, François Couperin, Joseph Banowetz | A Minor | 0 | 8A | 84 BPM | ||
Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 2. Adagio cantabile | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 97 BPM | ||
Serenade No. 1 in D Major, Op. 11: IVb. Menuetto II | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | A Major | 1 | 11B | 110 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM | ||
4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | D Major | 0 | 10B | 100 BPM | ||
3 Concert Études, S. 144: No. 3 in D-Flat Major, "un sospiro" | Franz Liszt, William Wolfram | D♭ Major | 1 | 3B | 69 BPM | ||
Islamey, an Oriental Fantasy - Duo-Art 6537 | Mily Balakirev, Beryl Rubinstein, Peter Phillips | F♯ Major | 0 | 2B | 70 BPM |
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