- BPM
- 51
- Key
- C Minor
- Camelot
- 5A
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March (Reprise) - Henry Purcell, Philip Ledger Information
- Acousticness
- 99%
- Danceability
- 32%
- Energy
- 1%
- Instrumentalness
- 95%
- Liveness
- 15%
- Loudness
- 50%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 15%
- Loudness
- -30.288 dB
Summary
"Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March (Reprise)" by Henry Purcell, Philip Ledger was released on January 1, 1977. With Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March (Reprise) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 12 in the song's album "Purcell: Funeral Music for Queen Mary & Anthems". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March (Reprise) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March (Reprise) BPM
With Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March (Reprise) by Henry Purcell, Philip Ledger having a BPM of 51 with a half-time of 26 BPM and a double-time of 102 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March (Reprise) Key
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Amphitryon, Z. 572, "The 2 Sosias": VIII. Borree | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 82 BPM | |
 | Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | |
 | Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | |
 | Idylle sur la paix: Air pour Madame la Dauphine | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 3 | 1A | 139 BPM | |
 | Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | |
 | Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | |
 | The Indian Queen, Z. 630, Act I: Why Should Men Quarrel Here, Where All Possess | Henry Purcell, The Sixteen, Harry Christophers, Kirsty Hopkins | B Minor | 0 | 10A | 119 BPM | |
 | The Indian Queen, Z. 630 : Act III - Third Act Tune (Rondeau) | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | A♭ Major | 0 | 4B | 114 BPM | |
 | Concerto in F Major, Seibel 234: 3. Un poco Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 99 BPM | |
 | Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM |
- ISRC
- GBAYC9103809
- Label
- L-M Records/RCA Records
Section: 0.671868085861206
End: 0.6761798858642578