Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider made "Overture (Suite) in G Minor, TWV 55:g3: Aria V: Tempo giusto - Double" available on January 1, 2003. The duration of Overture (Suite) in G Minor, TWV 55:g3: Aria V: Tempo giusto - Double is about 3 minutes long, at 3:27. Based on our data, "Overture (Suite) in G Minor, TWV 55:g3: Aria V: Tempo giusto - Double" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 48 in the song's album "Telemann: 6 Orchestral Suites". In this album, this song's track order is #23. Overture (Suite) in G Minor, TWV 55:g3: Aria V: Tempo giusto - Double is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Overture (Suite) in G Minor, TWV 55:g3: Aria V: Tempo giusto - Double by Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in B mayor: 3. Presto | Georg Matthias Monn, Camerata Bern, Thomas Füri | F♯ Major | 2 | 2B | 138 BPM | ||
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giovanni Battista Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 140 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: II. Adagio | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | B♭ Minor | 0 | 3A | 115 BPM | ||
Concerto-Pasticcio in C Major: II. Allegro | George Frideric Handel, Klaipėda Chamber Orchestra, Andrius Puskunigis, Vincent Bernhardt, Mindaugas Bačkus | A Minor | 3 | 8A | 111 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Concerto Grosso in D Minor, Op. 6 No. 10, HWV 328: II. Air. Lentement | George Frideric Handel, Akademie für Alte Musik Berlin, Bernhard Forck | D♭ Minor | 0 | 12A | 37 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
Roland, Opera, LWV 65: Acte I, scene 6: II. Air - Dans nos Climats sans chagrin on soupire (Deux Insulaires) | Jean-Baptiste Lully, Christophe Rousset, Les Talens Lyriques | C Major | 1 | 8B | 122 BPM |
Section: 0.8562803268432617
End: 0.85951828956604