"ヴィオラ・ダ・ガンバ・ソナタ 第1番 ト長調 BWV 1027 第3楽章:アンダンテ" by Johann Sebastian Bach, Gen Yokosaka, Kazuoki Fujii was released on September 14, 2016. The duration of ヴィオラ・ダ・ガンバ・ソナタ 第1番 ト長調 BWV 1027 第3楽章:アンダンテ is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. ヴィオラ・ダ・ガンバ・ソナタ 第1番 ト長調 BWV 1027 第3楽章:アンダンテ's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Gen Yokosaka's "J.S.バッハ:ガンバ・ソナタ集" album is number 10 out of 11. On top of that, Japan appears to be the country where this track was created. ヴィオラ・ダ・ガンバ・ソナタ 第1番 ト長調 BWV 1027 第3楽章:アンダンテ is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of ヴィオラ・ダ・ガンバ・ソナタ 第1番 ト長調 BWV 1027 第3楽章:アンダンテ by Johann Sebastian Bach, Gen Yokosaka, Kazuoki Fujii to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In C Minor, BWV 999 : Prelude In C Minor, BWV 999 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 120 BPM | ||
A Dark Waltz | Michael Berkeley, Hyeyoon Park, Benjamin Grosvenor | G Minor | 1 | 6A | 98 BPM | ||
Suite No. 4 in D Minor: IV. Minuetto | Domenico Zipoli, Giovanni Nesi | D Minor | 0 | 7A | 114 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic Orchestra | D Minor | 3 | 7A | 100 BPM | ||
ノクチュルヌ 第3番 | Erik Satie, Yuji Takahashi | E♭ Major | 1 | 5B | 179 BPM | ||
Suite in D Minor, HWV 437: I. Allemande - Adapted by Marina Baranova | George Frideric Handel, Marina Baranova | A♭ Major | 1 | 4B | 109 BPM | ||
Passacaglia (Version for Cello & Piano) | Rebecca Clarke, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Sonata for 2 Violins in C Major, Op. 3 No. 3: II. Adagio | Jean-Marie Leclair, Emmanuele Baldini, Leonardo Bock | E♭ Major | 0 | 5B | 115 BPM | ||
Cello Sonata No. 5 in E minor, RV 40 - I. Largo | The Baroque Coterie | B Major | 1 | 1B | 83 BPM | ||
Prelude in C major, BWV 846 | Johann Sebastian Bach, KaJeng Wong | C Major | 0 | 8B | 136 BPM |
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