Charles Gounod, GIA Publications, Inc.'s 'Faust, Ballet Music: VII. Allegro' came out on January 1, 2001. With Faust, Ballet Music: VII. Allegro being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 36 in First Steps in Classical Music: Keeping the Beat by GIA Publications, Inc.. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Faust, Ballet Music: VII. Allegro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Faust, Ballet Music: VII. Allegro by Charles Gounod, GIA Publications, Inc. is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky : String Quartet No.1 in D major, Op.11 : II Andante cantabile | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantin Orbelian, Moscow Chamber Orchestra | B Major | 1 | 1B | 94 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
Nocturne in E-Flat Major | Mikhail Glinka, Xavier De Maistre | E♭ Major | 0 | 5B | 81 BPM | ||
Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 2 | 8B | 97 BPM | ||
Rusalka, Op. 114: Song to the Moon | Antonín Dvořák, Joshua Bell, Michael Stern | F♯ Major | 1 | 2B | 137 BPM | ||
Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante | Samuel Barber, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B♭ Major | 2 | 6B | 88 BPM | ||
Fantasia On Greensleeves | Ralph Vaughan Williams, Vienna State Opera Orchestra, Adrian Boult | C Minor | 2 | 5A | 84 BPM | ||
Elgar: Salut d'amour | Edward Elgar, Kyung Wha Chung, Kevin Kenner | E Major | 1 | 12B | 79 BPM |
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