"Suite Montanesa: II. La cuesta del avellano" by Arturo Duo Vital, Malaga Philharmonic Orchestra, Jose Luis Temes was released on December 1, 2012. Suite Montanesa: II. La cuesta del avellano is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 3 out of 7 in Arturo Dúo Vital: Obras orquestales by Arturo Duo Vital, Malaga Philharmonic Orchestra, Jose Luis Temes. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Suite Montanesa: II. La cuesta del avellano is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite Montanesa: II. La cuesta del avellano by Arturo Duo Vital, Malaga Philharmonic Orchestra, Jose Luis Temes is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La bohème: O soave fanciulla | Giacomo Puccini, Andre Kostelanetz, New York Philharmonic | G Major | 1 | 9B | 63 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Symphony No. 2, Op. 9, "Antar": IV. Allegretto - Adagio | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | B Major | 2 | 1B | 100 BPM | ||
Battle Preparations, Pt. 1 & 2 | Miklós Rózsa | C Major | 2 | 8B | 130 BPM | ||
Temptation | Bernard Herrmann | B♭ Minor | 0 | 3A | 92 BPM | ||
Superman: Superman: Love Theme | John Williams, Boston Pops Orchestra | F Major | 1 | 7B | 107 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 2: Cinderella's Arrival at the Ball | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 0 | 8B | 71 BPM | ||
Caucasian Sketches, Op. 10 (Remastered): II. In the Village | Mikhail Ippolitov-Ivanov, Leonard Bernstein, New York Philharmonic | F♯ Minor | 1 | 11A | 54 BPM | ||
Sibelius: Symphony No. 1 in E Minor, Op. 39: II. Andante, ma non troppo lento | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | ||
Walton: Henry V: Touch Her Soft Lips and Part | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM |
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