- BPM
- 63
- Key
- G Major
- Camelot
- 9B
La bohème: O soave fanciulla - Giacomo Puccini, Andre Kostelanetz, New York Philharmonic Information
- Acousticness
- 84%
- Danceability
- 6%
- Energy
- 12%
- Instrumentalness
- 79%
- Liveness
- 24%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 14%
- Loudness
- -19.614 dB
Summary
"La bohème: O soave fanciulla" by Giacomo Puccini, Andre Kostelanetz, New York Philharmonic was released on November 2, 1989. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Opera Without Words". In this album, this song's track order is #4. La bohème: O soave fanciulla is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La bohème: O soave fanciulla BPM
With La bohème: O soave fanciulla by Giacomo Puccini, Andre Kostelanetz, New York Philharmonic having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
La bohème: O soave fanciulla Key
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Flute Concerto No. 2 in D major, K.314/285d: III. Rondo. Allegretto | Wolfgang Amadeus Mozart, Robert Langevin, New York Philharmonic, Bernard Labadie | D Major | 1 | 10B | 123 BPM | |
 | Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": I. Allegro vivace | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 65 BPM | |
 | La bohème: Finale. Death of Mimi | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A♭ Major | 5 | 4B | 174 BPM | |
 | Water Music Suite No. 1 (Excerpts): 7. Bourree | George Frideric Handel, New York Philharmonic, Pierre Boulez | C Major | 2 | 8B | 125 BPM | |
 | Symphony No. 4 in E Minor, Op. 98: II. Andante moderato | Johannes Brahms, Leonard Bernstein, New York Philharmonic | E Major | 1 | 12B | 102 BPM | |
 | Piano Concerto in A Minor, Op.16: II. Adagio | Edvard Grieg, Javier Perianes, Sakari Oramo, BBC Symphony Orchestra | D♭ Major | 0 | 3B | 93 BPM | |
 | The Red Poppy, Op. 70: V. Valse | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | D Major | 1 | 10B | 163 BPM | |
 | Women Are Fickle from "Rigoletto" | Andre Kostelanetz | F♯ Major | 2 | 2B | 75 BPM | |
 | Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | |
 | La Traviata / Act 1: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | B Major | 0 | 1B | 131 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.742058515548706
End: 0.7465462684631348