Michael Haydn, Emmanuel Pahud, Haydn Ensemble Berlin, Hansjorg Schellenberger made "Haydn, M: Flute Concerto No. 2 in D Major, MH 105: III. Allegro assai" available on 1998. Haydn, M: Flute Concerto No. 2 in D Major, MH 105: III. Allegro assai is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The track order of this song in Franz Joseph Haydn, Emmanuel Pahud, Haydn Ensemble Berlin's "Haydn: Scherzandi Nos. 1-6 & Flute Concerto" album is number 3 out of 30. On top of that, United Kingdom appears to be the country where this track was created. Haydn, M: Flute Concerto No. 2 in D Major, MH 105: III. Allegro assai is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Haydn, M: Flute Concerto No. 2 in D Major, MH 105: III. Allegro assai by Michael Haydn, Emmanuel Pahud, Haydn Ensemble Berlin, Hansjorg Schellenberger to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kronstorfer Messe in D Minor, WAB 146: III. Benedictus | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 0 | 7A | 70 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Lobet den Herrn, alle Heiden, BWV 230 | Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion | B Major | 5 | 1B | 100 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Vespers, Op. 37: O Serene Light | Sergei Rachmaninoff, Mykhaylo Tyshchenko, Yuri Korinnyk, National Choir Of The Ukraine "Dumka", Yevhen Savchuk, Olga Borusene | D Major | 0 | 10B | 104 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | C Minor | 0 | 5A | 148 BPM | ||
Première Suite: Prélude | Jordi Savall, Ton Koopman, Ariane Maurette | F Major | 0 | 7B | 80 BPM | ||
Praeambulum in D | Heinrich Scheidemann, Bart Jacobs | D Minor | 1 | 7A | 71 BPM |
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