Luigi Denza, Luciano Pavarotti, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Anton Guadagno made "Funiculì, funiculà" available on January 1, 2013. The duration of Funiculì, funiculà is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Funiculì, funiculà's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 53 in the song's album "Pavarotti The 50 Greatest Tracks". In this album, this song's track order is #2. Based on our statistics, Funiculì, funiculà's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Funiculì, funiculà by Luigi Denza, Luciano Pavarotti, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Anton Guadagno having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 112 BPM | ||
Funiculi Funicula | Luigi Denza, Richter, Alfredo Kraus, Andre Toffel, Domenico Modugno, Eleazar MartÍnez, Emilio Pericoli, Jean Febrar, Jean Febrer, Los Pianos Barracos, Violenes Magicos de Villafontana | E♭ Major | 4 | 5B | 141 BPM | ||
Giovinezza | Beniamino Gigli | E♭ Major | 7 | 5B | 127 BPM | ||
Tannhäuser, WWV 70 - Paris version / Act 3: "Beglückt darf nun dich, o Heimat" (Pilgrims Chorus) | Richard Wagner, Helga Dernesch, Victor Braun, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 1 | 5B | 80 BPM | ||
Military Marches, Op. 39 "Pomp and Circumstance": March No. 1 | Edward Elgar, Andrew Davis, BBC Philharmonic | D Major | 3 | 10B | 122 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
The Typewriter - La Maquina De Escribir | Leroy Anderson, Inma Shara | G Major | 2 | 9B | 128 BPM | ||
C'e la luna mezzo mare | Roberto Alagna | C Major | 8 | 8B | 140 BPM | ||
Non T'Amo Piu | Luigi Denza, Francesco Paolo Tosti, Saulo Laucas | E Major | 1 | 12B | 90 BPM | ||
Questa o quella | Mario del Monaco | D♭ Major | 3 | 3B | 98 BPM |
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