Franz Schubert, Maria João Pires's '6 Moments musicaux, Op. 94, D. 780: No. 3 in F Minor (Allegro moderato)' came out on January 1, 1989. With 6 Moments musicaux, Op. 94, D. 780: No. 3 in F Minor (Allegro moderato) being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Schubert: Sonata D784; 6 Moments Musicaux D780; 2 Scherzi D593". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. 6 Moments musicaux, Op. 94, D. 780: No. 3 in F Minor (Allegro moderato) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Moments musicaux, Op. 94, D. 780: No. 3 in F Minor (Allegro moderato) by Franz Schubert, Maria João Pires having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane pour une infante defunte | Maurice Ravel, Slovak Radio Symphony Orchestra, Kenneth Jean | G Major | 0 | 9B | 86 BPM | ||
Piano Sonata No. 17 in D Major, K. 576: II. Adagio | Wolfgang Amadeus Mozart, Maria João Pires | D Major | 0 | 10B | 134 BPM | ||
[blank]: Préludes / Book 1, L. 117: 亜麻色の髪の乙女 | Claude Debussy, Fujiko Hemming | B Major | 0 | 1B | 106 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
Suite from Masquerade: I. Waltz | Aram Khachaturian, Brno Philharmonic Orchestra, Jiří Bělohlávek | C Major | 3 | 8B | 172 BPM | ||
ドビュッシー:月の光(「ベルガマスク組曲」より) | Izumi Tateno | B♭ Major | 3 | 6B | 200 BPM | ||
Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Maria João Pires | D♭ Major | 1 | 3B | 71 BPM | ||
Tannhauser: Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 0 | 1B | 98 BPM |
Section: 0.6277527809143066
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