"Lass Fürstin, lass noch ein Strahl, BWV 198: Verstummt, ihr holden Saiten (Arie)" by Johann Sebastian Bach, Núria Rial, Julia Schröder had its release date on December 9, 2013. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 18 out of 18 in Bach: Arias by Johann Sebastian Bach, Núria Rial, Kammerorchester Basel, Julia Schröder. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Lass Fürstin, lass noch ein Strahl, BWV 198: Verstummt, ihr holden Saiten (Arie) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lass Fürstin, lass noch ein Strahl, BWV 198: Verstummt, ihr holden Saiten (Arie) by Johann Sebastian Bach, Núria Rial, Julia Schröder is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Cello Concerto in C Major, RV 398: II. Largo | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | A Minor | 0 | 8A | 115 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: IV. Bouree En Trompette | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 4 | 8B | 119 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 2. Adagio | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra | E♭ Minor | 2 | 2A | 77 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM |