- BPM
- 179
- Key
- D♭ Major
- Camelot
- 3B
Vertigo Suite: IV. Scotty Trails Madeline (Arr. C. O'Riley for Cello & Piano) - Matt Haimovitz, Christopher O'Riley Information
- Acousticness
- 90%
- Danceability
- 15%
- Energy
- 1%
- Instrumentalness
- 2%
- Liveness
- 24%
- Loudness
- 45%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 2%
- Loudness
- -32.847 dB
Summary
"Vertigo Suite: IV. Scotty Trails Madeline (Arr. C. O'Riley for Cello & Piano)" by Matt Haimovitz, Christopher O'Riley was released on February 5, 2016. Since Vertigo Suite: IV. Scotty Trails Madeline (Arr. C. O'Riley for Cello & Piano) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 27 in the song's album "Shuffle. Play. Listen". In this album, this song's track order is #13. The popularity of Vertigo Suite: IV. Scotty Trails Madeline (Arr. C. O'Riley for Cello & Piano) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Vertigo Suite: IV. Scotty Trails Madeline (Arr. C. O'Riley for Cello & Piano) BPM
With Vertigo Suite: IV. Scotty Trails Madeline (Arr. C. O'Riley for Cello & Piano) by Matt Haimovitz, Christopher O'Riley having a BPM of 179 with a half-time of 90 BPM and a double-time of 358 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Vertigo Suite: IV. Scotty Trails Madeline (Arr. C. O'Riley for Cello & Piano) Key
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bagatellen: III | Valentin Silvestrov | C Major | 0 | 8B | 72 BPM | |
 | Partita No. 2 for Solo Cello: Movement I | Philip Glass, Matt Haimovitz | G Major | 0 | 9B | 86 BPM | |
 | Játékok / 5.: 9. Aus der Ferne | György Kurtág, Márta Kurtág | G Minor | 0 | 6A | 66 BPM | |
 | Pohádka, JW VII/5 "Fairy Tale": II. Con moto | Matt Haimovitz, Christopher O'Riley | G Major | 0 | 9B | 182 BPM | |
 | Charades | Balanescu Quartet | C Major | 2 | 8B | 100 BPM | |
 | Preludes & Fugues, K. 404a: Prelude No. 2 in G Minor | Wolfgang Amadeus Mozart, Matt Haimovitz, Jonathan Crow, Douglas McNabney | A♭ Major | 1 | 4B | 151 BPM | |
 | Suite I in G Major, BWV 1007: II. Allemande | Johann Sebastian Bach, Matt Haimovitz | E Major | 0 | 12B | 75 BPM | |
 | Angel Heart, Pt. 1: Chapter 2a, But Look! Who Is That One? | Luna Pearl Woolf, Jeremy Irons, Matt Haimovitz, Uccello | B Minor | 2 | 10A | 37 BPM | |
 | Woman´s Prayer | George Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | |
 | Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5616121292114258
End: 0.5661492347717285