Paul Tortelier made "Bourrees 1 2 Suite Vlc N4 Mi Bem Maj Bwv1010 Remas" available on March 3, 2003. Bourrees 1 2 Suite Vlc N4 Mi Bem Maj Bwv1010 Remas is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There are a total of 36 in the song's album "Suites For Cello Solo". In this album, this song's track order is #5. Based on our statistics, Bourrees 1 2 Suite Vlc N4 Mi Bem Maj Bwv1010 Remas's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Bourrees 1 2 Suite Vlc N4 Mi Bem Maj Bwv1010 Remas by Paul Tortelier having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in E Minor, Op. 85 | Edward Elgar, Paul Tortelier, Sir Charles Groves, Royal Philharmonic Orchestra | E Minor | 0 | 9A | 90 BPM | ||
Sonata for solo cello Op. 8 (1979 Digital Remaster): III. Allegro molto vivace | Zoltán Kodály, Paul Tortelier | E Minor | 1 | 9A | 137 BPM | ||
Bach, CPE: Flute Concerto in D Minor, Wq 22, H. 425: III. Allegro di molto | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | F Major | 3 | 7B | 84 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6: II. Adagio | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 1 | 10A | 125 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 24 in A Minor | Niccolò Paganini, Augustin Hadelich | A Minor | 1 | 8A | 91 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Suite For Cello And Orchestra, Op. 16: I. Prélude (moderato assai) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 77 BPM | ||
Duport : Duo for 2 cellos in G major, Op.1/3 : Adagio-Presto | Jean-Louis Duport, Frédéric Lodéon, Xavier Gagnepain | G Major | 1 | 9B | 87 BPM | ||
Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato | George Frideric Handel, Akademie für Alte Musik Berlin | A Major | 0 | 11B | 35 BPM |
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