Nikolai Rimsky-Korsakov, London Symphony Orchestra, Ataúlfo Argenta's 'Capriccio Espagnol, Op.34: 5. Fandango asturiano' came out on January 1, 1958. The duration of Capriccio Espagnol, Op.34: 5. Fandango asturiano is about 3 minutes long, at 3:10. Based on our data, "Capriccio Espagnol, Op.34: 5. Fandango asturiano" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 15 in Debussy / Granados / Rimsky-Korsakov etc.: Images / Spanish Dance No.5 / Capriccio Espagnol etc. by London Symphony Orchestra, L'Orchestre de la Suisse Romande, Ataúlfo Argenta, Claude Debussy, Emmanuel Chabrier, Enrique Granados, Moritz Moszkowski, Nikolai Rimsky-Korsakov. In terms of popularity, Capriccio Espagnol, Op.34: 5. Fandango asturiano is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Capriccio Espagnol, Op.34: 5. Fandango asturiano by Nikolai Rimsky-Korsakov, London Symphony Orchestra, Ataúlfo Argenta is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The Snow Maiden / Act 1: "Snegurochka, odna stoyit, bednyazhka!" | Nikolai Rimsky-Korsakov, Valeria Heybalova, Sofiya Jankovich, Belgrade National Opera Orchestra, Kreshimir Baranovich | B Minor | 1 | 10A | 81 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": III. Presto agitato | Ludwig van Beethoven, Daniel Barenboim | F♯ Minor | 1 | 11A | 157 BPM | ||
Masquerade Suite: Nocturne | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 1 | 11B | 105 BPM | ||
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM | ||
Moses Fantasy | Niccolò Paganini, Nemanja Radulović | C Major | 1 | 8B | 100 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 2: Dance of the Knights | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 86 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM |
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