"Jesu, Meine Freude, Cantate Bwv 81" by Nicol Matt, Robert Sagasser, Martina Rotbauer, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Nordic Chamber Choir, Jörg Halobek, Johann Sebastian Bach, Jens Wollenschläger, Ute Petersilge was released on March 28, 2007. With Jesu, Meine Freude, Cantate Bwv 81 being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 50 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Jesu, Meine Freude, Cantate Bwv 81 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jesu, Meine Freude, Cantate Bwv 81 by Nicol Matt, Robert Sagasser, Martina Rotbauer, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Nordic Chamber Choir, Jörg Halobek, Johann Sebastian Bach, Jens Wollenschläger, Ute Petersilge is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudate pueri, HWV 237: II. Sit nomen Domini | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Te deum, LWV 55: XIV. Miserere nostri Domine, miserere nostri | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Lauda Jerusalem (Salmo 147), RV 609 | Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo Alessandrini | E Minor | 2 | 9A | 138 BPM | ||
Magnificat, RV 610: 1. Magnificat anima mea Dominum | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | D♭ Major | 3 | 3B | 114 BPM | ||
Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442a | Samuel Scheidt, Christoph Lehmann | A Major | 0 | 11B | 67 BPM | ||
Kyrie: I. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 0 | 4B | 72 BPM | ||
Missa Divi Xaverii, ZWV 12: Hosanna | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | A Major | 2 | 11B | 83 BPM | ||
Te Deum: IV. Patrem immensae maiestatis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Basse et Dessus de Trompette | Louis-Nicolas Clérambault, Jean Victor Arthur Guillou | D Minor | 1 | 7A | 68 BPM | ||
Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | G Major | 3 | 9B | 120 BPM |
Section: 0.6468110084533691
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