"Vespers for a New Dark Age: I. Wayward Free Radical Dreams" by Missy Mazzoli, Victoire, Glenn Kotche was released on March 31, 2015. With this song being about 5 minutes long, at 5:13, "Vespers for a New Dark Age: I. Wayward Free Radical Dreams" by Missy Mazzoli, Victoire, Glenn Kotche is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Missy Mazzoli, Victoire, Glenn Kotche's "Missy Mazzoli: Vespers for a New Dark Age" album is number 1 out of 9. On top of that, United States appears to be the country where this track was created. In terms of popularity, Vespers for a New Dark Age: I. Wayward Free Radical Dreams is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespers for a New Dark Age: I. Wayward Free Radical Dreams by Missy Mazzoli, Victoire, Glenn Kotche to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gongs and Bells Sing | Kronos Quartet, Laurie Anderson | D♭ Minor | 3 | 12A | 168 BPM | ||
A Hudson Cycle | Nico Muhly, Lavinia Meijer | B♭ Minor | 0 | 3A | 92 BPM | ||
The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava, Vestards Šimkus | E Minor | 0 | 9A | 56 BPM | ||
Scherza infida | George Frideric Handel, Musica Sequenza, Burak Ozdemir | G Major | 1 | 9B | 127 BPM | ||
Christian Zeal and Activity | John Adams, Edo de Waart, San Francisco Symphony | E Major | 1 | 12B | 78 BPM | ||
Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | ||
Dido’s Lament (“When I Am Laid in Earth”) – Purcell | Sally Stapleton | G Minor | 2 | 6A | 85 BPM | ||
Three Pieces in Olden Style: 1. (Untitled) | Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra | A Minor | 0 | 8A | 96 BPM | ||
City Life: III. It's Been a Honeymoon - Can't Take No Mo' | Steve Reich, Ensemble Modern, Peter Rundel | F♯ Minor | 5 | 11A | 93 BPM | ||
DANCE: V. when you’re perfectly free | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | G Major | 3 | 9B | 113 BPM |
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