On November 3, 2003, the song "Sång till Södermanland" was released by K. Hamnström, Orphei Drängar, Royal Swedish Army Conscript Band, Mats Janhagen. The duration of Sång till Södermanland is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Sång till Södermanland's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Royal Swedish Army Conscript Band, Mats Janhagen, Orphei Drängar's "Musik & Tradition" album is number 31 out of 44. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Sång till Södermanland is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sång till Södermanland by K. Hamnström, Orphei Drängar, Royal Swedish Army Conscript Band, Mats Janhagen to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgija Sv. Jovana Zlatoustog (Liturgy of St. John Chrysostom) - 2 | Stevan St. Mokranjac, Beogradski Madrigalisti | F Major | 1 | 7B | 84 BPM | ||
Knoph.: Bruremarsj (2004) | Joachim Knoph, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg | A Major | 1 | 11B | 131 BPM | ||
Käraste bröder | Sollentuna Gosskör | A Major | 1 | 11B | 135 BPM | ||
Halvan | Linköpings Studentsångarförening Lihkören, Hans Lundgren | A♭ Major | 1 | 4B | 115 BPM | ||
Karjalan osa, JS 108 | Jean Sibelius, YL Male Voice Choir, Folke Gräsbeck, Matti Hyokki | G Minor | 1 | 6A | 97 BPM | ||
St. Matthew Passion, BWV 244: No. 72. Chorale: Wenn ich einmal soll scheiden | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | E♭ Major | 1 | 5B | 99 BPM | ||
Paasiaisen aikaan: No. 4, Sa nousit haudastasi (After M. Teschner) | Pekka Kostiainen, Musica Choir | B♭ Major | 2 | 6B | 72 BPM | ||
Olaf Trygvason | Friedrich August Reissiger, Bjørnstjerne Bjørnson, Den Norske Studentersangforening | F Minor | 0 | 4A | 125 BPM | ||
Rozmowa duszy z matką bolesną | Cappella Gedanensis | E Minor | 2 | 9A | 171 BPM | ||
Laku Noć | Vesna Matana Matic | E Major | 6 | 12B | 118 BPM |
Section: 0.7233986854553223
End: 0.7274692058563232