Pekka Kostiainen, Musica Choir's 'Paasiaisen aikaan: No. 4, Sa nousit haudastasi (After M. Teschner)' came out on January 1, 2007. With Paasiaisen aikaan: No. 4, Sa nousit haudastasi (After M. Teschner) being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pekka Kostiainen, Musica Choir's "Kostiainen Conducts Kostiainen, Vol. 5" album is number 16 out of 30. Paasiaisen aikaan: No. 4, Sa nousit haudastasi (After M. Teschner) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Paasiaisen aikaan: No. 4, Sa nousit haudastasi (After M. Teschner) by Pekka Kostiainen, Musica Choir to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romanzen, Book 1, Op. 69: No. 3. Klosterfraulein | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 190 BPM | ||
Sind Surmani | Aleksander Säbelmann-Kunileid, Lydia Koidula, Estonian Philharmonic Chamber Choir | D Major | 1 | 10B | 77 BPM | ||
Triduum Paschale, Pt. 3, Missa Paschalis: I. Alkukoraali | Pekka Kostiainen, Tapani Plathan, Simo Mäkinen, Musica Choir, Mikkelin kaupunginorkesteri, Jyvaskyla Sinfonia, Ville Matvejeff | C Major | 2 | 8B | 78 BPM | ||
Triduum Paschale, Pt. 2, Passio: VI. Valitus | Pekka Kostiainen, Musica Choir, Mikkelin kaupunginorkesteri, Jyvaskyla Sinfonia, Ville Matvejeff | D Minor | 1 | 7A | 136 BPM | ||
Kaski: Illalla (Minä olen hiljentynyt) | SRK:n naiskuoro, Matias Lahti | B♭ Minor | 1 | 3A | 125 BPM | ||
Virsi 225: Jeesus, luona armopöydän | Ehtoollisvirsiä ja -lauluja yhteislauluillasta, Sheldon Ylioja | E Minor | 2 | 9A | 82 BPM | ||
Virsi 178 Myös isämme uskoivat ennen | SRK:n kamarikuoro (Kuopio), Vesa Linnanmäki, Hannele Mehtälä, Jenni Koskimäki, Mirja Juvonen | G Minor | 3 | 6A | 66 BPM | ||
Jeesus, katson murhemielin - Jesus, I Sadly Behold Thee | The Candomino Choir | F♯ Minor | 1 | 11A | 89 BPM | ||
Kesäpäivä Kangasalla | Jämsän Kristillisen Kansanopiston lauluryhmä | E♭ Major | 1 | 5B | 102 BPM | ||
Preces and Responses | Joanna Forbes L'Estrange, London Voices, Grace Davidson, Ben Parry | D Major | 1 | 10B | 80 BPM |
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