John Rutter, Choir of Clare College, Cambridge, Orchestra of Clare College, Cambridge's 'Donkey Carol' came out on January 1, 1979. With this song being about 5 minutes long, at 4:32, "Donkey Carol" by John Rutter, Choir of Clare College, Cambridge, Orchestra of Clare College, Cambridge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "The Holly and the Ivy". In this album, this song's track order is #4. In terms of popularity, Donkey Carol is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Donkey Carol by John Rutter, Choir of Clare College, Cambridge, Orchestra of Clare College, Cambridge having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Kanteletar: I. Herkä neito | Veljo Tormis, Mikrokosmos, Loïc Pierre | F♯ Major | 0 | 2B | 69 BPM | ||
The Three Hermits: Pilgrims' Hymn | Stephen Paulus, Westminster Williamson Voices, James Jordan | G Major | 0 | 9B | 134 BPM | ||
Diomedes: Anna Magdalena Notenbuch (Clavier-Buchlein III): Bist du bei mir, BWV 508 (attrib. G.H. Stolzel) | Gottfried Heinrich Stölzel, Christine Brewer, Paul Jacobs | D♭ Major | 2 | 3B | 69 BPM | ||
Songs and Sonnets from Shakespeare: III. It was a lover and his lass | George Shearing, The Cambridge Singers, Malcolm Creese, Wayne Marshall, John Rutter | E♭ Major | 1 | 5B | 142 BPM | ||
Gloria: Gloria in excelsis Deo | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Minor | 4 | 1A | 85 BPM | ||
Holy Is the True Light | William Henry Harris, The Cambridge Singers, John Rutter | D Minor | 1 | 7A | 72 BPM | ||
Confirma hoc Deus | Jacobus Gallus, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 66 BPM | ||
Aftenstemning (Evening Mood), FS 48 | Carl Nielsen, Orphei Drängar, Robert Sund | D♭ Major | 0 | 3B | 82 BPM | ||
Jerusalem: And did those feet in ancient time (Jerusalem) | Hubert Parry, St. George's Chapel Choir, Windsor, Marlowe Brass Ensemble, Tim Byram-Wigfield | D Major | 2 | 10B | 96 BPM | ||
Quatre petites prières de Saint François d’ Assise: III. Seigneur, je vous en prie | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM |
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