"A Midsummer Night's Dream, Op. 61: No. 7, Notturno. Andante tranquillo" by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi was released on March 15, 2024. A Midsummer Night's Dream, Op. 61: No. 7, Notturno. Andante tranquillo is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, Paavo Järvi, Tonhalle-Orchester Zürich's "Mendelssohn: Symphonies" album is number 5 out of 36. On top of that, France appears to be the country where this track was created. A Midsummer Night's Dream, Op. 61: No. 7, Notturno. Andante tranquillo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Midsummer Night's Dream, Op. 61: No. 7, Notturno. Andante tranquillo by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Medea (Medee) (Sung in Italian): Act II: Introduction | Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli | F Major | 1 | 7B | 80 BPM | ||
ドヴォルザーク:交響曲第8番 ト長調 作品88;第4楽章 アレグロ・マ・ノン・トロッポ | ヴァーツラフ・ノイマン, Czech Philharmonic | G Major | 1 | 9B | 124 BPM | ||
Rossini: Tancredi: Sinfonia (Moderato - Allegro brillante) | Gioachino Rossini, Max Emanuel Cenčić, Michael Hofstetter, Orchestre de Chambre de Genève | E♭ Major | 1 | 5B | 135 BPM | ||
Josephs-Legende, Op. 63, TrV 231: Allegro moderato - Eine mächtige Säulenhalle im Stil des Palladio | Richard Strauss, Staatskapelle Halle, Fabrice Bollon | G Major | 4 | 9B | 76 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 1, Die Vorstellung des Chaos | Joseph Haydn, Dresdner Philharmonie, Marek Janowski | B♭ Major | 3 | 6B | 117 BPM | ||
Symphony No. 4, Op. 90, "Italian": II. Andante con moto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
Salut d'amour, Op. 12 (Arr. for Cello & Piano by Anonymous) | Edward Elgar, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Violin Concerto in E Minor, Op. 64: III. Allegro non troppo - Allegro molto vivace | Felix Mendelssohn, Christian Li, Melbourne Symphony Orchestra, Sir Andrew Davis | E Major | 2 | 12B | 83 BPM | ||
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): II. Girl of the Moment | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM |
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