"Kermesse in Bruges , "The Three Gifts": Act II Scene 2: Second Gentleman's solo: Allegro moderato" by Holger Simon Paulli, Christian Gottschalch, Soren Mohl, Aalborg Symphony Orchestra, Peter Ernst Lassen was released on January 1, 2005. With Kermesse in Bruges , "The Three Gifts": Act II Scene 2: Second Gentleman's solo: Allegro moderato being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 25 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. The popularity of Kermesse in Bruges , "The Three Gifts": Act II Scene 2: Second Gentleman's solo: Allegro moderato is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kermesse in Bruges , "The Three Gifts": Act II Scene 2: Second Gentleman's solo: Allegro moderato by Holger Simon Paulli, Christian Gottschalch, Soren Mohl, Aalborg Symphony Orchestra, Peter Ernst Lassen is Presto (very, very fast), since this song has a tempo of 187 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation III. Miettes qui tombent (Fairy of the Woodland Glade) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | D Major | 0 | 10B | 66 BPM | ||
La Bayadère / Act 1: No.26 Tempo di valse brillante | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | D Major | 3 | 10B | 102 BPM | ||
Le Corsaire: Act II - "4. Grand Pas: Variation: Ali" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 1 | 4B | 121 BPM | ||
Napoli: Act III: Pas de six: Third Lady's solo: Allegretto, "Leaping Solo" | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | G Major | 0 | 9B | 91 BPM | ||
Le Conservatoire, "Newspaper Courtship": Act I: Pas de trois: Andante sostenuto | Hans Christian Lumbye, Holger Simon Paulli, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen | C Major | 0 | 8B | 181 BPM | ||
Napoli: Act III: Pas de six: Lady's solo | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | G Major | 0 | 9B | 147 BPM | ||
Coppelia: Act III - Valse des heures | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 119 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Second Intermezzo | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | B Major | 1 | 1B | 122 BPM | ||
Jockey-Polka (Schnell), Op. 278 | Josef Strauss, Slovak Radio Symphony Orchestra | F Major | 3 | 7B | 163 BPM | ||
Etudes: XIII. Tarantel | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Major | 4 | 11B | 179 BPM |
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