| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Riders of Rohan | Rob Starr & The Hollywood Singers and Orchestra | C Major | 2 | 8B | 80 BPM | ||
| 豊臣兄弟! - 2026 Live Version | 沖澤のどか, NHK Symphony Orchestra | B Minor | 5 | 10A | 76 BPM | ||
| Einar’s Cave | Steffen Schmidt, Kevin Notar | B♭ Minor | 0 | 3A | 140 BPM | ||
| The Terry Theme From "Limelight" / La Violetera From "City Lights" / Je cherche après Titine From "Modern Times" / Awakening From "Limelight" / Theme From "Modern Times" - CITY MEMORIES | Charlie Chaplin, José Padilla, Léo Daniderff, Louis Maubon, Claude Bertal, Emile Ronn, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | C Minor | 2 | 5A | 82 BPM | ||
| Weehawken Ferry | Thomas Newman | C Minor | 1 | 5A | 132 BPM | ||
| 永遠と無限をこの手に | 大谷幸 | A Minor | 4 | 8A | 123 BPM | ||
| La vida breve: Act II: Danza (espagnola) No. 1 | Manuel de Falla, Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan | A Minor | 3 | 8A | 100 BPM | ||
| バレエ音楽「三角帽子」より | Manuel de Falla, ブリヂストン吹奏楽団久留米 | A Minor | 3 | 8A | 85 BPM | ||
| Touching the Stars | David García Díaz | E Minor | 1 | 9A | 60 BPM | ||
| Matty Was Mary Ann | John Barry | D Major | 2 | 10B | 75 BPM | ||
| Intermezzo de Atzimba (1900) | Ricardo Castro, Alondra de la Parra, Philharmonic Orchestra of the Americas | G Major | 1 | 9B | 61 BPM | ||
| Tomb Raider 3 Medley | Royal Philharmonic Orchestra | B♭ Major | 1 | 6B | 139 BPM | ||
| White Skin Like the Moon (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | D♭ Minor | 0 | 12A | 140 BPM | ||
| 守著陽光守著你 Waiting for the Sun, Waiting for You | 李泰祥 | C Major | 2 | 8B | 83 BPM | ||
| A Very Unusual Melody | Murray Gold | C Major | 2 | 8B | 80 BPM | ||
| Triumph - Amazing Grace Original Score | David Arnold | B♭ Major | 2 | 6B | 74 BPM | ||
| Anna | Yomiuri Nippon Symphony Orchestra | A Major | 3 | 11B | 126 BPM | ||
| Opening Fanfare / Max's Dream | Carter Burwell, Don Davis | E♭ Major | 1 | 5B | 79 BPM | ||
| Reliquary: 1. Cantus Firmus - For Burberry | Ilan Eshkeri, London Metropolitan Orchestra, Rosey Chan, Bethany Horak Hallett, Daisy Chute, Tim Lacy | C Major | 3 | 8B | 140 BPM | ||
| Bangalter: Mythologies: VII. Treize Nuits | Thomas Bangalter, Romain Dumas, Orchestre National Bordeaux Aquitaine | A Major | 1 | 11B | 101 BPM | ||
| Shakespeare In Love: End Credits - From "Shakespeare In Love" | Stephen Warbeck | F♯ Major | 1 | 2B | 120 BPM | ||
| Allegro | Bear McCreary | D Major | 0 | 10B | 65 BPM | ||
| The Mouth of Sauron (feat. Sir James Galway) | Howard Shore | C Major | 2 | 8B | 140 BPM | ||
| ハチャトゥリャン:組曲「仮面舞踏会」より「ワルツ」 | ハチャトゥリャン, のだめオーケストラ | E Minor | 4 | 9A | 99 BPM | ||
| Suite for Strings, III. O, Waly Waly | John Rutter, Orchestra of the Music Makers, Tzelaw Chan | G Minor | 2 | 6A | 173 BPM |
雨水-鸿雁归 - 现场版 is a melancholic, low-energy track by 中国广播电影交响乐团, 尤耀文, 杨青 from 《万物生长》二十四节气交响套曲音乐会 (现场版), released December 22, 2022. It runs 7:42 at 141 BPM (282 BPM double-time) in D♭ Minor (Camelot 12A).
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