- BPM
- 79
- Key
- F♯ Major
- Camelot
- 2B
Kapitel 187 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag - David Allen, Jürgen Kalwa Information
- Acousticness
- 55%
- Danceability
- 61%
- Energy
- 25%
- Instrumentalness
- 0%
- Liveness
- 22%
- Loudness
- 64%
- Speechiness
- 94%
- Valence
- 85%
- Popularity
- 0%
- Loudness
- -21.693 dB
Summary
On 2011, the song "Kapitel 187 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" was released by David Allen, Jürgen Kalwa. The duration of Kapitel 187 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:21. Based on our data, "Kapitel 187 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 57 out of 194. On top of that, Germany appears to be the country where this track was created. Kapitel 187 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Kapitel 187 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag BPM
We consider the tempo marking of Kapitel 187 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Kapitel 187 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Medea (Medee) (Sung in Italian): Act I: Quando gia corona Amor (Ancelle, Chorus) | Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola Rescigno | B♭ Major | 6 | 6B | 109 BPM | |
 | Lucia di Lammermoor, Act II: Lucia, fra poco a te verrà | Gaetano Donizetti, Didier Pieri, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 1 | 10B | 88 BPM | |
 | Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM | |
 | Cherubini: Medea, Act 1: "No, non temer" (Creonte, Glauce, Giasone) | Luigi Cherubini, Giuseppe Modesti, Renata Scotto, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | G Major | 1 | 9B | 87 BPM | |
 | Kapitel 123 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag | David Allen, Jürgen Kalwa | D♭ Major | 3 | 3B | 79 BPM | |
 | Donizetti: Lucia di Lammermoor, Act 1: "Cruda, funesta smania" (Enrico, Normanno, Raimondo) | Gaetano Donizetti, Jesús López-Cobos, Münchener Opernorchester | G Major | 3 | 9B | 133 BPM | |
 | Puccini: Turandot, Act 1: "Perche tarda la luna?" (Crowd) | Giacomo Puccini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala Di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Minor | 1 | 2A | 84 BPM | |
 | 5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were Children | Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews | E Minor | 0 | 9A | 170 BPM | |
 | Auber: La muette de Portici: "Spectacle affreux" (Masaniello) | Daniel Auber, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | |
 | Akt I: Mein Sohn Amfortas. bist du am Amt | Richard Wagner, Ludovic Tezier, Stefan Cerny, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM |
- ISRC
- DEXO62018524
- Label
- L-M Records/RCA Records
Section: 1.2795519828796387
End: 1.2859740257263184