Michel Richard Delalande, Chantal Santon Jeffery, Les Chantres du Centre de Musique Baroque de Versailles, Les Pages du Centre de Musique Baroque de Versailles, Collegium Marianum, Olivier Schneebeli made "Venite exultemus Domino, S. 58: No. 1, Venite, exultemus Domino (Live)" available on October 19, 2018. The duration of Venite exultemus Domino, S. 58: No. 1, Venite, exultemus Domino (Live) is about 3 minutes long, at 3:29. Based on our data, "Venite exultemus Domino, S. 58: No. 1, Venite, exultemus Domino (Live)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Michel Richard Delalande, Les Chantres du Centre de Musique Baroque de Versailles, Les Pages du Centre de Musique Baroque de Versailles, Collegium Marianum, Olivier Schneebeli's "Lalande: Grands Motets (Live)" album is number 1 out of 25. On top of that, Spain appears to be the country where this track was created. Venite exultemus Domino, S. 58: No. 1, Venite, exultemus Domino (Live) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Venite exultemus Domino, S. 58: No. 1, Venite, exultemus Domino (Live) by Michel Richard Delalande, Chantal Santon Jeffery, Les Chantres du Centre de Musique Baroque de Versailles, Les Pages du Centre de Musique Baroque de Versailles, Collegium Marianum, Olivier Schneebeli to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Te Deum, S.32: II. Te æternum Patrem | Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre | C Major | 3 | 8B | 176 BPM | ||
Airs for the Seasons, Summer (Excerpts): Pink: III. Temo di Minuetto | James Oswald, Rezonance Baroque Ensemble | F♯ Major | 2 | 2B | 82 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: I. Largo | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D Minor | 0 | 7A | 82 BPM | ||
Dominus regnavit, S. 65: No. 1, Dominus regnavit (Live) | Michel Richard Delalande, Les Chantres du Centre de Musique Baroque de Versailles, Les Pages du Centre de Musique Baroque de Versailles, Collegium Marianum, Olivier Schneebeli | A Major | 3 | 11B | 74 BPM | ||
Egisto, Atto III Scena 10: Amanti, se credete | Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana Flores | A Major | 1 | 11B | 109 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Air. Le printemps seul nous procure (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D Major | 7 | 10B | 92 BPM | ||
Les fêtes d'Hébé, RCT 41, Act I Scene 3: En vain contre Thélème | Jean-Philippe Rameau, Chantal Santon Jeffery, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | ||
Troisième Suite: Grand Pièce in D la re. Passacaille | Michel Richard Delalande, Jürgen Groß, Elbipolis Barockorchester Hamburg | D♭ Major | 1 | 3B | 123 BPM | ||
Christ lag in Todesbanden: IVd. Rittornello | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM |
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