Claude Debussy, Aloys Kontarsky, Alfons Kontarsky's '6 Épigraphes antiques, L.131: 6. Pour remercier la pluie au matin' came out on July 11, 2020. The duration of 6 Épigraphes antiques, L.131: 6. Pour remercier la pluie au matin is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. 6 Épigraphes antiques, L.131: 6. Pour remercier la pluie au matin's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 74 in Debussy - Time by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 6 Épigraphes antiques, L.131: 6. Pour remercier la pluie au matin is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Épigraphes antiques, L.131: 6. Pour remercier la pluie au matin by Claude Debussy, Aloys Kontarsky, Alfons Kontarsky is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Prelude in C Major, BWV 846 | Johann Sebastian Bach, Alistair McGowan | C Major | 1 | 8B | 122 BPM | ||
16 Waltzes, Op. 39: No. 9 In D Minor | Johannes Brahms, Idil Biret | B♭ Major | 0 | 6B | 62 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM | ||
Zoetrope | Joep Beving | D Minor | 0 | 7A | 134 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM |
Section: 0.7029426097869873
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