Giuseppe Verdi, Andrea Bocelli, Coro del Maggio Musicale Fiorentino, Israel Philharmonic Orchestra, Zubin Mehta made "Il Trovatore / Act 3: "Di quella pira"" available on January 1, 2005. The duration of Il Trovatore / Act 3: "Di quella pira" is about 3 minutes long, at 3:21. Based on our data, "Il Trovatore / Act 3: "Di quella pira"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 19 in Aria by Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda. Based on our statistics, Il Trovatore / Act 3: "Di quella pira"'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Il Trovatore / Act 3: "Di quella pira" by Giuseppe Verdi, Andrea Bocelli, Coro del Maggio Musicale Fiorentino, Israel Philharmonic Orchestra, Zubin Mehta is Allegro (fast, quick, and bright), since this song has a tempo of 156 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM | ||
Andrea Chenier (1997 Digital Remaster): La mamma morta | Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 1 | 10B | 79 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | ||
Bizet: Carmen, WD 31, Act 1: "Attention! Chut! Attention! Taisons-nous!" (Moralès, Dragons) | Georges Bizet, Ludovic Tézier/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 117 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM | ||
Il Trovatore, IGV 31, Act IV: "Miserere d'un'alma già vicina" (Coro, Leonora, Manrico) | Giuseppe Verdi, Salvatore Cammarano, Palacio de las Bellas Artes Orchestra, Guido Picco, Palacio de las Bellas Artes Chorus, Maria Callas, Kurt Baum | A♭ Major | 2 | 4B | 80 BPM | ||
Nabucco: Chorus of the Hebrew Slaves, "Va pensiero, sull'ali dorate" | London Philharmonic Orchestra | D♭ Major | 1 | 3B | 124 BPM |
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