Karol Lipinski, Laurent Albrecht Breuninger, Polish Radio Symphony Orchestra, Wojciech Rajski's 'Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Adagio' came out on June 20, 2006. Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Adagio appears to be safe for all ages as it is not explicit. The track order of this song in Karol Lipinski, Polish Radio Symphony Orchestra, Wojciech Rajski, Laurent Albrecht Breuninger's "Lipinski: Violin Concerto No. 1, Rondo alla polacca & Brawurowe wariacje" album is number 3 out of 5. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Adagio's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Adagio by Karol Lipinski, Laurent Albrecht Breuninger, Polish Radio Symphony Orchestra, Wojciech Rajski to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade No. 2 in A Major, Op. 16: II. Scherzo. Vivace | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | C Major | 2 | 8B | 103 BPM | ||
Plie (Piacer D'amor) [feat. Joyce Hammann] | Steven Mitchell, Joyce Hammann | E Major | 1 | 12B | 80 BPM | ||
Trio for 2 Violins & Cello in A Major, Op. 12: I. Espressivo | Karol Lipinski, Voytek Proniewicz, Adam Roszkowski, Jan Roszkowski | A Major | 2 | 11B | 145 BPM | ||
Variations on Rossini's Barber of Seville: Cavatina, Op. 20 (arr. A. Wrobel) | Karol Lipinski, Andrzej Wrobel, Konstanty Andrzej Kulka, Andrzej Gebski, Wojciech Proniewicz | E Major | 2 | 12B | 138 BPM | ||
Fantasia on the opera 'Krakowiacy i Gorale' by Stefani | Karol Lipinski, Konstanty Andrzej Kulka, Aurelia Liwanowska, Andrzej Wrobel | D Major | 2 | 10B | 127 BPM | ||
Caprice in D major, Op. 29 no.3 | Karol Lipinski, Konstanty Andrzej Kulka, Aurelia Liwanowska, Andrzej Wrobel | G Major | 2 | 9B | 165 BPM | ||
Samson et Dalila Op. 47, Act II, Scene III: “Mon coeur s’ouvre à ta voix” | Philippe Quint, Lily Maisky | G Major | 1 | 9B | 110 BPM | ||
Léocadie, S. 12: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | C Major | 1 | 8B | 112 BPM | ||
美麗四季春 | 蘇顯達, 真如 | B♭ Major | 2 | 6B | 88 BPM | ||
Divertissement, Vorstellungen 1803: No. 5, Marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM |
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