Karol Lipinski, Voytek Proniewicz, Adam Roszkowski, Jan Roszkowski's 'Trio for 2 Violins & Cello in A Major, Op. 12: I. Espressivo' came out on August 10, 2018. Since Trio for 2 Violins & Cello in A Major, Op. 12: I. Espressivo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Karol Lipinski, Voytek Proniewicz, Jan Roszkowski, Adam Roszkowski's "Lipinski: Trios for 2 Violins & Cello, Opp. 8 & 12" album is number 4 out of 6. Based on our statistics, Trio for 2 Violins & Cello in A Major, Op. 12: I. Espressivo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trio for 2 Violins & Cello in A Major, Op. 12: I. Espressivo by Karol Lipinski, Voytek Proniewicz, Adam Roszkowski, Jan Roszkowski to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Horn Concerto in C Minor, Op. 8: I. Allegro moderato | Franz Strauss, Samuel Seidenberg, Frankfurt Radio Symphony Orchestra, Sebastian Weigle | E♭ Major | 1 | 5B | 112 BPM | ||
Impromptu in D major, Op. 34 no.1 | Karol Lipinski, Konstanty Andrzej Kulka, Aurelia Liwanowska, Andrzej Wrobel | D Minor | 2 | 7A | 79 BPM | ||
Rapsodia en Re menor | Juan Pablo Fernández Ramos | C Major | 1 | 8B | 79 BPM | ||
Thétis et Pelée: Ouverture | Jean-Benjamin de La Borde, Reinoud Van Mechelen, A Nocte Temporis | E Major | 2 | 12B | 134 BPM | ||
Der Fischer und das Milchmädchen: XII. Andantino | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Sonata in A Major for Violin & Fortepiano, Op. 1a, G.077: II. Andantino | Joseph Boulogne Chevalier de Saint-Georges, Andrew McIntosh, Steven Vanhauwaert | G Major | 2 | 9B | 102 BPM | ||
Piano Concerto for the Left Hand No. 2: III. Finale | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Four Greek Songs: II. Vivo | Charles Camilleri, David Campbell, Zoë Martlew, Julian Jacobson | G Minor | 2 | 6A | 123 BPM | ||
Symphony No. 1 in E-Flat Major, Op. 2: II. Marche-Scherzo. Allegretto scherzando | Camille Saint-Saëns, Thierry Fischer, Utah Symphony Orchestra | D Major | 0 | 10B | 116 BPM | ||
Lieder Ohne Worte, Sechtes Heft, Op. 67 (Arr. for Violin and Piano by Ferdinand David): I. Andante | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | G Major | 1 | 9B | 79 BPM |
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