"Bonus Track: Concerto No. 2 in C Minor for Piano and Orchestra, Op. 18: II. Adagio sostenuto" by Tbilisi Symphony Orchestra, Nato Ts'vereli was released on July 21, 2009. Bonus Track: Concerto No. 2 in C Minor for Piano and Orchestra, Op. 18: II. Adagio sostenuto appears to be safe for all ages as it is not explicit. There are a total of 29 in the song's album "The Greatest Piano Concertos in High Definition". In this album, this song's track order is #29. Furthermore, we believe that the track originated from Germany. Bonus Track: Concerto No. 2 in C Minor for Piano and Orchestra, Op. 18: II. Adagio sostenuto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bonus Track: Concerto No. 2 in C Minor for Piano and Orchestra, Op. 18: II. Adagio sostenuto by Tbilisi Symphony Orchestra, Nato Ts'vereli having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 94 in G Major, Hob. I:94 "Surprise": II. Andante | Franz Joseph Haydn, George Szell, Cleveland Orchestra | C Major | 0 | 8B | 117 BPM | ||
Flight of the Bumble Bee | Keith Blainville | B Major | 0 | 1B | 168 BPM | ||
Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | G Minor | 1 | 6A | 102 BPM | ||
The Firebird Suite *: Danse infernale du roi Kastchei / King Kastchei's Infernal Dance | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A Major | 4 | 11B | 152 BPM | ||
Nocturne No. 2 in E Flat, Op. 9 | Frédéric Chopin, Peter Schmalfuss | B♭ Major | 0 | 6B | 101 BPM | ||
Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries | London Philharmonic Orchestra | B Major | 4 | 1B | 95 BPM | ||
Fireworks Music Suite in D Major, HV 351: IV. La Réjouissance | George Frideric Handel, Slovac Chamber Orchestra, Bohdan Warchal | D Major | 2 | 10B | 109 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] | Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble | F♯ Major | 4 | 2B | 101 BPM | ||
Oberon Arie der Titania (Hör, o Gottheit, meine Klagen) I. Akt | Pavel Vranicky, Tbilisi Symphony Orchestra, Jansug Kakhidze | G Major | 2 | 9B | 82 BPM | ||
Hostias | Vakhtang Kakhidze, Chanters, Georgian State Choir, Rustavi, Tbilisi Symphony Orchestra | A Major | 0 | 11B | 62 BPM |
Section: 0.631392240524292
End: 0.6351001262664795