"Violin Concerto in A Major, Op. 23: I. Allegro amabile - Live" by Hermann Suter, Lena-Lisa Wüstendörfer, Michael Barenboim, Swiss Orchestra was released on January 12, 2024. Violin Concerto in A Major, Op. 23: I. Allegro amabile - Live appears to be safe for all ages as it is not explicit. There are a total of 3 in the song's album "Suter: Violin Concerto in A Major, Op. 23 (Live)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Switzerland. Violin Concerto in A Major, Op. 23: I. Allegro amabile - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto in A Major, Op. 23: I. Allegro amabile - Live by Hermann Suter, Lena-Lisa Wüstendörfer, Michael Barenboim, Swiss Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herons Faith | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Symphonie in D-Moll, Op. 17: III. Adagio molto | Hermann Suter, Moscow Symphony Orchestra, Adriano | F♯ Major | 1 | 2B | 89 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | C Major | 0 | 8B | 66 BPM | ||
"Chilbizite" für Orchester o. op.: Lebhaft / Freudig bewegt / Bewegt (Nicht zu schnell) / Doppelt so langsam / Vivo | Werner Wehrli, Hermann Suter, Aargauer Symphonie Orchester, Douglas Bostok | B♭ Major | 1 | 6B | 115 BPM | ||
Misatango, Misa a Buenos Aires: V. Quoniam tu solus sanctus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Major | 3 | 8B | 89 BPM | ||
Die Harmonie der Welt Symphony: II. Musica Humana | Paul Hindemith, Yan Pascal Tortelier, BBC Philharmonic Orchestra | D♭ Major | 0 | 3B | 74 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": IV. Chor: Saget es, die ihr erlöset seid | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Zürcher Sing-Akademie, Florian Helgath | E Major | 1 | 12B | 72 BPM | ||
A Child of our Time, Part I: Interludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Francesca da Rimini, Op. 25, Scene 1: My answer Is plain (Lanceotto) | Sergei Rachmaninoff, Svetla Vassileva, Misha Didyk, Sergey Murzaev, Gennady Bezzubenkov, Evgeny Akimov, BBC Singers, BBC Philharmonic Orchestra, Gianandrea Noseda | G Major | 3 | 9B | 174 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM |
Section: 0.6585855484008789
End: 0.6655161380767822