Gioachino Rossini, Franco Calabrese, Gianandrea Gavazzeni, Jolanda Gardino, Nicola Rossi-Lemeni, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano's 'Rossini: Il turco in Italia, Act 2: "Oh! guardate che accidente!" (Fiorilla, Narciso, Selim, Zaida, Geronio)' came out on September 19, 2014. The duration of Rossini: Il turco in Italia, Act 2: "Oh! guardate che accidente!" (Fiorilla, Narciso, Selim, Zaida, Geronio) is about 3 minutes long, at 3:19. Based on our data, "Rossini: Il turco in Italia, Act 2: "Oh! guardate che accidente!" (Fiorilla, Narciso, Selim, Zaida, Geronio)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 44 in the song's album "Rossini: Il turco in Italia (1954 - Gavazzeni) - Callas Remastered". In this album, this song's track order is #38. In terms of popularity, Rossini: Il turco in Italia, Act 2: "Oh! guardate che accidente!" (Fiorilla, Narciso, Selim, Zaida, Geronio) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rossini: Il turco in Italia, Act 2: "Oh! guardate che accidente!" (Fiorilla, Narciso, Selim, Zaida, Geronio) by Gioachino Rossini, Franco Calabrese, Gianandrea Gavazzeni, Jolanda Gardino, Nicola Rossi-Lemeni, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Servant Girls' Chorus. "Dyevitsi, krasavitsi" | Pyotr Ilyich Tchaikovsky, St.Petersburg Chamber Choir, Orchestre de Paris, Semyon Bychkov | A Major | 0 | 11B | 107 BPM | ||
Don Carlo / Act 2: "Dio, che nell'alma infodere" | Giuseppe Verdi, Carlo Bergonzi, Dietrich Fischer-Dieskau, Tugomir Franc, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | G Major | 2 | 9B | 129 BPM | ||
La battaglia di Legnano: Preghiera, 'Deus meus, pone illos ut rotam' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
Il signor Bruschino, Act I: "Io danari vi darò" (Florville, Filiberto) | Gioacchino Rossini, Orchestra Sinfonica di Milano Giuseppe Verdi, Manlio Benzi, Juan Diego Florez, Nicola Ulivieri | C Major | 1 | 8B | 88 BPM | ||
La Cenerentola / Act 2: "Nacqui all'affanno e al pianto...Non più mesta" | Gioachino Rossini, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Henry Lewis | F Major | 1 | 7B | 125 BPM | ||
Les Contes d'Hoffmann / Act 2: "Voici les valseurs!" | Jacques Offenbach, Gérard Friedmann, Paul Crook, Plácido Domingo, Edita Gruberova, Claudia Eder, Gabriel Bacquier, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | G Major | 3 | 9B | 69 BPM | ||
Puccini: La Bohème, Act 3: "D'onde lieta usci" (Mimi) | Giacomo Puccini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Minor | 1 | 5A | 61 BPM | ||
Tosca / Act I: Mario! Mario! Mario! | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 104 BPM |
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