- BPM
- 56
- Key
- F Major
- Camelot
- 7B
St Matthew Passion, BWV 244 (highlights) (1989 Digital Remaster): Chorale: O Haupt voll Blut und Wunden - Johann Sebastian Bach, Theo Altmeyer, Franz Crass, Teresa Żylis-Gara, Julia Hamari, Nicolai Gedda, Wolfgang Gönnenwein, Consortium Musicum, Suddeutscher Madrigalchor, Hermann Prey Information
- Acousticness
- 97%
- Danceability
- 23%
- Energy
- 20%
- Instrumentalness
- 97%
- Liveness
- 15%
- Loudness
- 70%
- Speechiness
- 4%
- Valence
- 20%
- Popularity
- 0%
- Loudness
- -17.884 dB
Summary
Johann Sebastian Bach, Theo Altmeyer, Franz Crass, Teresa Żylis-Gara, Julia Hamari, Nicolai Gedda, Wolfgang Gönnenwein, Consortium Musicum, Suddeutscher Madrigalchor, Hermann Prey's 'St Matthew Passion, BWV 244 (highlights) (1989 Digital Remaster): Chorale: O Haupt voll Blut und Wunden' came out on 2006. The duration of St Matthew Passion, BWV 244 (highlights) (1989 Digital Remaster): Chorale: O Haupt voll Blut und Wunden is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. St Matthew Passion, BWV 244 (highlights) (1989 Digital Remaster): Chorale: O Haupt voll Blut und Wunden's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 100 in Alle 100 Goed: Bach by Johann Sebastian Bach, Various Artists. St Matthew Passion, BWV 244 (highlights) (1989 Digital Remaster): Chorale: O Haupt voll Blut und Wunden is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
St Matthew Passion, BWV 244 (highlights) (1989 Digital Remaster): Chorale: O Haupt voll Blut und Wunden BPM
The tempo marking of St Matthew Passion, BWV 244 (highlights) (1989 Digital Remaster): Chorale: O Haupt voll Blut und Wunden by Johann Sebastian Bach, Theo Altmeyer, Franz Crass, Teresa Żylis-Gara, Julia Hamari, Nicolai Gedda, Wolfgang Gönnenwein, Consortium Musicum, Suddeutscher Madrigalchor, Hermann Prey is Lento (slowly), since this song has a tempo of 56 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
St Matthew Passion, BWV 244 (highlights) (1989 Digital Remaster): Chorale: O Haupt voll Blut und Wunden Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | |
 | Chromatic Fantasia And Fugue In D Minor, BWV 903 : Fugue | Janos Sebestyen, Johann Sebastian Bach | D Minor | 3 | 7A | 88 BPM | |
 | Partita No. 2 in C Minor, BWV 826: IV. Sarabande | Johann Sebastian Bach, Glenn Gould | E♭ Major | 1 | 5B | 78 BPM | |
 | Concerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 1. (Allegro) | Johann Sebastian Bach, Maurizio Baglini, Marcello Mazzoni, Andrea Padova, Marco Scolastra, I Solisti Filarmonici Italiani, Federico Guglielmo | A Minor | 5 | 8A | 101 BPM | |
 | Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | |
 | Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | |
 | Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | |
 | Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | |
 | Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6836450099945068
End: 0.6908841133117676