"El Huésped del Sevillano: Raquel (Romanza No. 10)" by Jacinto Guerrero, Plácido Domingo, Manuel Moreno-Buendia was released on 1988. The duration of El Huésped del Sevillano: Raquel (Romanza No. 10) is about 3 minutes long, at 3:19. Based on our data, "El Huésped del Sevillano: Raquel (Romanza No. 10)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Romanzas de Zarzuelas". In this album, this song's track order is #13. El Huésped del Sevillano: Raquel (Romanza No. 10) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With El Huésped del Sevillano: Raquel (Romanza No. 10) by Jacinto Guerrero, Plácido Domingo, Manuel Moreno-Buendia having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
'La Tarántula', De La Tempranica | Victoria de los Ángeles | C Major | 3 | 8B | 75 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ehi, Fiorelli?...Mio signore (Conte/Fiorello/Coro) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva, Mario Carlin | D Major | 0 | 10B | 115 BPM | ||
Andalucía | Ernesto Lecuona, Plácido Domingo, Lee Holdridge, Royal Philharmonic Orchestra | F Major | 2 | 7B | 77 BPM | ||
La Revoltosa | Ataúlfo Argenta | A Major | 2 | 11B | 110 BPM | ||
Come Sinfonia | Giuseppe Di Stefano | B Major | 3 | 1B | 109 BPM | ||
Bésame mucho | Consuelo Velázquez, Plácido Domingo, Eugene Kohn | E♭ Minor | 5 | 2A | 127 BPM | ||
Preludio | Ataúlfo Argenta | E Major | 3 | 12B | 105 BPM | ||
"Amapola" | Joseph Maria Lacalle, Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | D♭ Major | 4 | 3B | 129 BPM | ||
Sorozábal: La tabernera del puerto, Act II No. 9, Romanza: No puede ser! | Pablo Sorozábal, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid | F♯ Major | 2 | 2B | 112 BPM | ||
Qué Daría | Bebu Silvetti, Plácido Domingo, The VVC Symphonic Orchestra | F Minor | 4 | 4A | 85 BPM |
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