"Ardo in tacito foco" by Barbara Strozzi, Catherine Bott, Timothy Roberts, Paula Chateauneuf, Frances Kelly was released on January 1, 1996. Since Ardo in tacito foco is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "To the Unknown Goddess - A Portrait of Barbara Strozzi". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Ardo in tacito foco is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ardo in tacito foco by Barbara Strozzi, Catherine Bott, Timothy Roberts, Paula Chateauneuf, Frances Kelly having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Membra Jesu nostri, BuxWV 75: IVd. Ad latus: Hora mortis meus flatus | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Armide, LWV 71, Act I Scene 3: Que la douceur d'un triomphe (Sidonie, Phénice, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Eva Zaïcik, Marie Perbost, Chœur de l'Opéra de Dijon | C Major | 3 | 8B | 112 BPM | ||
Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
Armide, LWV 71, Act V Scene 1: Passacaille | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Minor | 1 | 4A | 131 BPM | ||
Charpentier: Celle qui fait tout mon tourment, H. 450 | Marc-Antoine Charpentier, Lea Desandre, Thomas Dunford | D♭ Minor | 0 | 12A | 126 BPM | ||
Lambert: Vos mépris chaque jour | Michel Lambert, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | B Major | 0 | 1B | 94 BPM | ||
Lauscht ihr Liebenden - 1. Kapitel: La Virtuosissima: Donna Barbara | Barbara Strozzi, Udo Wachtveitl, Wiebke Puls, Thomas Albus, Christoph Jablonka | G Major | 3 | 9B | 107 BPM | ||
Le Camus: On n'entend rien dans ce bocage | Sébastien Le Camus, Lea Desandre, Thomas Dunford | F♯ Minor | 0 | 11A | 66 BPM | ||
Caccini: Il primo libro delle musiche: Chi desia di saper | Francesca Caccini, Philippe Jaroussky, Thibaut García | F Major | 1 | 7B | 133 BPM | ||
Mori, mi dici (I) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM |
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