Jordi Savall made "Suitte, IV.66 (Marais)" available on January 1, 2006. With Suitte, IV.66 (Marais) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jordi Savall's "Marin Marais: Suite D'Un Goût Etranger / Pièces De Viole Du IV Livre, 1717" album is number 12 out of 33. On top of that, Switzerland appears to be the country where this track was created. Suitte, IV.66 (Marais) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Suitte, IV.66 (Marais) by Jordi Savall to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Mallassis - Sarabande | Hopkinson Smith, Charles Mouton | F Minor | 0 | 4A | 76 BPM | ||
Recercadas Sobre Tenores - Rec. Primera Sobre Tenores El Passamezzo Antiguo | Jordi Savall, Diego Ortiz | E♭ Minor | 1 | 2A | 79 BPM | ||
Makam « Muhayyer pesrev » – Marche Guerrière Ottomane: I. Taksim | Traditionnel, Hespèrion XXI, Jordi Savall | F Major | 0 | 7B | 122 BPM | ||
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
Saltarello, "La traditora" | Marco Dall'Aquila, Franklin Lei | A♭ Minor | 1 | 1A | 121 BPM | ||
Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: VIII. Rossignol | Georg Philipp Telemann, Jordi Savall | F♯ Major | 3 | 2B | 77 BPM | ||
Tarantelas | Santiago De Murcia, Paul O'Dette, Pedro Estevan, Steve PLAYER, Pat O'Brien, Andrew Lawrence-King | D Minor | 1 | 7A | 87 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Cachua Serranita, Nombrada | Traditional, Jordi Savall | C Major | 4 | 8B | 152 BPM | ||
Planctus Caravaggio I (Jordi Savall) | Sergi Casademunt, Fahmi Alqhai, Riccardo Minasi, Jordi Savall, F. Heumann, Andrew Lawrence-King, Luca Guglielmi, Xavier Puertas | G Minor | 0 | 6A | 171 BPM |
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