Cesare Negri, Baltimore Consort made "Le Gratie d'Amore: Catena d'amore" available on February 1, 2011. With Le Gratie d'Amore: Catena d'amore being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Baltimore Consort's "Gut Wind and Wire" album is number 27 out of 36. Le Gratie d'Amore: Catena d'amore is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Le Gratie d'Amore: Catena d'amore by Cesare Negri, Baltimore Consort to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Lady Hunsdon's Puffe, P. 54 | John Dowland, Nigel North | B♭ Major | 2 | 6B | 78 BPM | ||
The False Consonances of Musick, Aria II | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
Intabolatura de lauto, Book 4: Saltarello | Joan Ambrosio Dalza, Baltimore Consort | G Major | 5 | 9B | 121 BPM | ||
Variationen 'Nun sich der Tag geendet hat' | Adam Falkenhagen, Lutz Kirchhof | F♯ Minor | 2 | 11A | 103 BPM | ||
It Was a Lover and His Lasse | Thomas Morley, Danielle Svonavec, Baltimore Consort | F Major | 1 | 7B | 73 BPM | ||
Danza alta, sobre "la Spagna": Danza Alta | Francesco de la Torre, Baltimore Consort | A Minor | 2 | 8A | 117 BPM | ||
A Fantasia, P. 71 | John Dowland, Bor Zuljan | F Minor | 1 | 4A | 95 BPM | ||
Il me souffit (Sermisy) | Edward Martin | G Minor | 0 | 6A | 76 BPM | ||
Pieces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) (arr. Y. Imamura) | François Couperin, Yasunori Imamura | D Minor | 1 | 7A | 97 BPM |
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